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Bibliography

Primary Sources:

Essays:

  • The Sacred Wood: Essays on Poetry and Criticism (London: Methuen, 1928; rpt. 1976)

  • For Lancelot Andrewes: Essays on Style and Order (London: Faber and Faber 1970)

  • Selected Essays (London: Faber & Faber 1934; reprinted 1972)

  • The Use of Poetry and the Use of Criticism (1933; London: Faber and Faber, 1975)

  • After Strange Gods (New York: Harcourt, Brace and Company, 1934)

  • The Idea of a Christian Society *(*London: Faber and Faber, 1939)

  • A Sermon, preached in Magdalene College Chapel (Cambridge: Cambridge University Press 1948)

  • Notes Toward the Definition of Culture (1948; London: Faber and Faber. Rpt. 1962)

  • *On Poetry and Poets (*London: Faber and Faber 1957)

  • To Criticize the Critic and other Writings (1965; London: Faber and Faber 1978)

  • T. S. Eliot. The Varieties of Metaphysical Poetry. Edited by Ronald Schuchard. (London: Harcourt Brace & Co. 1993)

Poetry and Drama:

The Complete Poems and Plays 1909-1950(London: Faber and Faber 1969)

  • The Waste Land: A Facsimile and Transcript of the Original Drafts Including the Annotations of Ezra Pound, edited by Valerie Eliot (London: Faber and Faber 1971).

  • Inventions of the March Hare: Poems, 1909-1917. Ed. Christopher Ricks. New York: Harcourt Brace, 1996.

Correspondence:

  • The Letters of T. S. Eliot: 1888-1992. vol I. Edited by Valerie Eliot. London: Faber and Faber 1988

Miscellanea:

  • Old Possum’s Book of Practical Cats (Faber & Gwyer, 1939*)*

  • Knowledge and Experience in the Philosophy of F. H. Bradley (London: Faber and Faber 1964)

Biographical Studies:

  • Ackroyd, Peter. T. S. Eliot: A Life. New York: Simon and Schuster, 1984.

  • Behr, Caroline. T. S. Eliot: A Chronology of His Life and Works. London: Macmillan, 1983.

  • Gordon, Lyall. Eliot’s Earlier Years. Oxford: Oxford UP, 1988.

  • ---. Eliot’s New Life. New York: Farrar, Strauss Giroux, 1988.

  • Hall, Donald. “The Art of Poetry I: T. S. Eliot: An Interview.” Paris Review 21.Spring Summer (1959): 47-70.

Bibliographical Aids:

  • Catalogue of Papers in the T. S. Eliot Collection, Houghton Library, Harvard, 1963

  • Eames, E. R., and A. M. Cohn, ‘Some Early Reviews by T. S. Eliot (Addenda to Gallup)’, The Papers of the Bibliographical Society of America, 7o, no. 3 (July 1976), 420-4

  • Gallup, Donald, T. S. Eliot: A Bibliography, revised and enlarged edition (London, 1969)

  • Hand-List of the Literary Manuscripts bequeathed to King’s College, Cambridge by John Davy Hayward in 1965 (Cambridge, 1973)

  • Martin, Mildred, A Half-Century of Eliot Criticism: An Annotated Bibliography of Books and Articles in English, 1916-1965 (Lewisburg, 1972)

  • Knowles, Sebastian, and Scott A. Leonard. An Annotated Bibliography of a Decade of T. S. Eliot Criticism: 1977-1986. T. S. Eliot: Man and Poet. Vol. vol II. Orono: National Poetry Foundation, 1992.

A systematic account to the different T. S. Eliot collections, archive sources, unpublished material, as well as thorough information on Eliot’s papers, books and notes while a student at Harvard— material belonging to different collections mainly at Houghton Library (Harvard) and King’s College (Cambridge)—is to be found in Manju Jain’s authoritative study T. S. Eliot and American Philosophy. The Harvard Years. The book also includes a complete list of Eliot’s contributions to periodicals which enlarges even Gallup’s listings in his T. S. Eliot: A Bibliography (London 1988).

Criticism:

  • Ackroyd, Peter. T. S. Eliot: A Life. New York: Simon and Schuster, 1984.

  • Adams, Robert Martin. “What Was Modernism?” Husdon Review 31 (1978): 19-33.

  • Aldritt, Keith. “Four Quartets”: Poetry as Chamber Music. London: Woburn, 1978.

  • ---. Modernism in the Second World War: The Later Poetry of Ezra Pound, T. S. Eliot, Basil Bunting and Hugh Mac Diarmid. New York: Peter Lang, 1989.

  • Asher, Kenneth. T. S. Eliot and Ideology. Cambridge: Cambridge University Press, 1995.

  • Bagchee, Shyamal, ed. T. S. Eliot : A Voice Descanting. New York: St. Martin’s Press, 1990.

  • Barón Palma, Emilio. T.S. Eliot En España. Almería: Universidad de Almería, Servicio de Publicaciones, 1996.

  • Beehler, Michael. T. S. Eliot, Wallace Stevens and the Discourses of Difference. Baton Rouge: Louisiana State University Press, 1987.

  • Behr, Caroline. T. S. Eliot: A Chronology of His Life and Works. London: Macmillan, 1983.

  • Bergonzi, Bernard. T. S. Eliot. New York: Macmillan, 1972.

  • ---. T. S. Eliot, Four Quartets: A Casebook. Basingstoke: Macmillan, 1991.

  • Bergsten, Staffan. Time and Eternity. New York: Humanities Press, 1973.

  • Blamires, Harry. Word Unheard. A Guide through Eliot’s Four Quartets. London: Methuen &Co, 1969.

  • Bloom, Harold. “Mr. America.” New York review of Books. (1984).

  • Bolgan, Anne C. “The Philosophy of F. H. Bradley and the Mind and Art of T. S. Eliot: An Introduction.” English Literature and British Philosophy. Ed. R. P. Rosenbaum. Chicago: U of Chicago P, 1971. 251-77.

  • ---. What the Thunder Really Said: A Retrospective Essay on the Making of the “Waste Land”. Montreal: McGill-Queen’s University Press, 1973.

  • Bornstein, George. Transformations of Romanticism in Yeats, Eliot, and Stevens. Chicago: U of Chicago P, 1976.

  • Bosanquet, B. “Realism and Metaphysics.” Philosophical Review XXVI.January (1917).

  • Bradbury, Malcolm, and James McFarlane. Modernism: 1890-1930. New York, 1976.

  • Brooker, Jewel Spears. The Placing of T. S. Eliot. Columbia: The University of Missouri Press, 1991.

  • ---, ed. T.S. Eliot and Our Turning World. New York: St. Martin’s Press, 2001.

  • Brooker, Jewel Spears , and Joseph Bentleys. Reading the Waste Land: Modernism and the Limits of Interpretations. Amherst: University of Massuchussets, 1990.

  • Brookers, Jewel Spears. Mastery and Escape: T. S. Eliot and the Dialectic of  Modernism. Amherst: University of Massachusetts Press, 1994.

  • Brooks, Harold. T. S. Eliot as Literary Critic. London: Woolf, 1987.

  • Brown, Denis. Intertextual Dynamics within the Literary Group: Joyce, Lewis, Pound and Eliot, the Men of 1914. Basingstoke: Macmillan, 1990.

  • Browne, E. Martin. The Making of T. S. Eliot’s Plays. London: Cambridge UP, 1969.

  • Bush, Ronald. T. S. Eliot: A Study in Character and Style. New York: Oxford University Press, 1984.

  • ---, ed. T. S. Eliot: The Modernist in History. Cambridge: Cambridge UP, 1991.

  • Canary, Robert. T. S. Eliot: The Poet and His Critics. Chicago: American Library Association, 1982.

  • Chace, William. The Political Identities of Ezra Pound and T. S. Eliot. Stanford: Stanford UP, 1973.

  • Chase, Richard. “T.S. Eliot in Concord.” American Scholar XVI.(Autumn) (1947).

  • Chiari, Joseph. T.S. Eliot: Poet and Dramatist. New York: Gordian Press, 1979.

  • Childs, Donald J. From Philosophy to Poetry : T.S. Eliot’s Study of Knowledge and Experience. New York: Palgrave, 2001.

  • ---. Modernism and Eugenics : Woolf, Eliot, Yeats, and the Culture of Degeneration. Cambridge: Cambridge University Press, 2001.

  • Clarke, Graham, ed. T. S. Eliot: Critical Assessements. London: Cristopher Helm, 1990.

  • Clearfield, Andrew. These Fragments I Have Shored against My Ruins. Ann Arbor: UMI Research Press, 1984.

  • Cooper, John Xiros. T. S. Eliot and the Politics of Voice: The Argument of the Waste Land. Ann Arbor: UMI Research Press, 1987.

  • ---. T. S. Eliot’s Orchestra: Critical Essays on Poetry and Music. New York: Garland Publishers, 2000.

  • Cowan, Laura, ed. T. S. Eliot: Man and Poet. University of Maine, National Poetry Foundation, 1990.

  • Crawford, Robert. The Savage and the City in the Work of T. S. Eliot. Oxford: Clarendon P, 1987.

  • Cuddy, Lois, and D Hirsch, eds. Critical Essays on T. S. Eliot’s the Waste Land. Boston: G. K. Hall, 1991.

  • Cuddy, Lois A. T.S. Eliot and the Poetics of Evolution : Sub/Versions of Classicism, Culture, and Progress. Lewisburg: Bucknell University Press, 2000.

  • Dale, Alzina. T. S. Eliot: The Philosopher Poet. Wheaton Ill: H. Shaw, 1988.

  • Davidson, Harriet. T. S. Eliot and Hermeneutics: The Absence of Interpretation in “The Waste Land”. Baton Rouge: Louisiana State UP, 1985.

  • Dawson, J. L. A Concordance to the Complete Poems and Plays of T.S. Eliot. Ithaca: Cornell University Press, 1995.

  • Donoghue, Dennis. Words Alone. New Haven: Yale UPress, 2002.

  • Douglass, Paul. Bergson, Eliot, American Literature. Kentucky: University of Kentucky Press, 1986.

  • Drew, Elizabeth. T. S. Eliot the Design of His Poetry. London: Eyre & Spottiswoode, 1950.

  • Dwidwedi, A. N. Indian Thought and Tradition in American Literature. New         Delhi: Oriental Publishers & Distributors, 1978.

  • Ellman, Maud. The Poetics of Impersonality: T. S. Eliot and E. Pound. Brighton: Harvester Press, 1987.

  • Erikson, Kai. ed. The Yale Review. (1989).

  • Fleissener, Robert. Ascending the Prufrockian Stair: Studies in a Dissociated Sensibility. New York: Peter Lang, 1988.

  • Foster, Paul. The Golden Lotus : Buddhist Influence in T.S. Eliot’s Four Quartets. Lewes, Sussex: Book Guild, 1998.

  • Freed, Lewis. T. S. Eliot: The Critic as Philosopher. West Lafayette: Purdue University Press, 1979.

  • Gallup, Donald. “The “Lost” Manuscripts of T. S. Eliot.” Bulletin of New York Public Library 72 (1968): 641-52.

  • Gardner, Hellen. The Art of T. S. Eliot. London: Faber and Faber, 1949.

  • ---. The Composition of the Four Quartets. London: Faber and Faber, 1978.

  • Ghosh, Damayanti. Indian Thought in T. S. Eliot. Calcutta: Sanskrit Puthar Bhandar, 1978.

  • Gish, Nancy. Time in the Poetry of T. S. Eliot. London: Macmillan, 1981.

  • ---. The Waste Land. Boston: Twayne, 1988.

  • Grant, Michael, ed. T. S. Eliot: The Critical Heritage. Vol. 2. vols. London: Routledge & Kegan Paul, 1982.

  • Gray, Piers. Eliot´s Intellectual Development 1902 - 1922. New Jersey: Harvester Press, 1982.

  • Gregory, Elizabeth. Quotation and Modern American Poetry: Imaginary Gardens with Real Toads. Houston, Tex.: Rice University Press, 1996.

  • Gross, Harvey. The Contrived Corridor. Ann Arbor: The University of Michigan Press, 1971.

  • Grove, Robin. The Early Poetry of T. S. Eliot. Sydney: Sydney UP, 1993.

  • Habib, Rafey. The Early T.S. Eliot and Western Philosophy. Cambridge: Cambridge University Press, 1999.

  • Harding, Jason. The Criterion: Cultural Politics and Periodical Networks in Inter-War Britain. New York: Oxford University Press, 2002.

  • Harwood, John. Eliot to Derrida: The Poverty of Interpretation. Basingstoke: Macmillan Press, 1995.

  • Hay, Eliose. T. S. Eliot’s Negative Way. Cambridge: Harvard University Press, 1982.

  • Hinchliffe, Arnold. The Waste Land and Ash Wednesday. New Jersey: Atlantic Highlands, 1987.

  • Ishak, Fayek. The Mystical Philosophy of T. S. Eliot. New Haven: College & University Press, 1970.

  • Jain, Manju. A Critical Reading of the Selected Poems of T.S. Eliot. Delhi and New York: Oxford University Press, 1991.

  • ---. T. S. Eliot and American Philosophy: The Harvard Years. Cambridge: Cambridge University Press, 1992.

  • Jay, Gregory. T. S. Eliot and the Poetics of Literary History. Baton Rouge: Louisiana State University Press, 1983.

  • Kearns, Cleo McNelly. T. S. Eliot and Indic Traditions: A Study in Poetry and Belief. Cambridge: Cambridge University Press, 1987.

  • Kenner, Hugh. The Invisible Poet: T. S. Eliot. New York: Harcourt Brace & World, 1959.

  • ---. The Pound Era. Berkeley: University of California Press, 1971.

  • Kermode, Frank. The Romantic Image. London: Routledge & Kegan Paul, 1957.

  • Kinney, Clare Regan. Strategies of Poetic Narrative: Chaucer, Spenser, Milton, Eliot. Cambridge: Cambridge University Press, 1992.

  • Kirk, Russell. Eliot and His Age. 1971. Rev. ed. Peru Il: Sherwood Sugden, 1984.

  • Lentricchia, Frank. Modernist Quartet. Cambridge: Cambridge University Press, 1994.

  • Levenson, M. H. A Genealogy of Modernism. Cambridge: Cambridge University Press, 1984.

  • Litz, A. Walton, ed. Eliot in His Time: Essyas on the Occasion of the Fiftieth Anniversaty of the Waste Land. Princeton, NJ, 1973.

  • Lobb, Edward. T. S. Eliot and the Romantic Critical Tradition. London: Routledge and Kegan Paul, 1981.

  • ---, ed. Words in Time. New Essays on Eliot’s Four Quartets. Ann Arbor: University of Michigan Press, 1993.

  • Lockerd, Benjamin G. Aethereal Rumours : T.S. Eliot’s Physics and Poetics. Lewisburg, [Pa.] : Bucknell University Press, 1998.

  • Longenbach, James. Modernist Poetics of History: Pound, Eliot and the Sense of the Past. Princeton: Princeton University Press, 1987.

  • Malamud, Randy. T. S. Eliot’s Drama: A Research and Production Sourcebook. New York: Greenwood Press, 1992.

  • Manganaro, Marc. Myth, Rhetoric, and the Voice of Authority: A Critique of Frazer, Eliot, Frye and Campbell. New Haven: Yale University Press, 1992.

  • Manganiello, Dominic. T. S. Eliot and Dante. Basingstoke: Macmillan, 1989.

  • Margolis, J. D. T. S. Eliot’s Intellectual Development 1922 - 1939. Chicago: University of Chicago Press, 1972.

  • Martin, Graham, ed. Eliot in Perspective. New Jersey: Humanity Press, 1970.

  • Martin, Mildred. A Half-Century of Eliot Criticism: An Annotated Bibliography of Books and Articles in English 1916-1965. Lewisburg, PA: Bucknell University Press, 1972.

  • Materer, Timothy. Vortex: Pound, Eliot, and Lewis. Ithaca: Cornell University Press, 1979.

  • Matthews, Stuart. Great Tom: Notes Towards the Definition of T. S. Eliot. New York: Harper & Row, 1973.

  • Matthiessen, F. O. The Achievement of T. S. Eliot. London: Oxford University Press, 1935.

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  • Melaney, William D. After Ontology: Literary Theory and Modernist Poetics. Albany: State University of New York Press, 2001.

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  • ---. Reading 1922 : A Return to the Scene of the Modern. New York: Oxford University Press, 1999.

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  • ---. The Peace Which Passeth Understanding: A Study of the Waste Land. Tirupati: Sri Venkateswara University, 1976.

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