Bibliography
Primary Works
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*Land of Unlikeness.*Cummington, MA: Cummington Press, 1944.
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*Lord Weary’s Castle.*New York: Harcourt, Brace, 1946.
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*The Mills of the Kavanaughs.*New York: Harcourt, Brace, 1951.
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*Life Studies.*New York, Farrar: Straus and Cudahy, 1959.
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*Lord Weary’s Castle and The Mills of the Kavanaughs.*New York: Harcourt, Brace and World, 1961.
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*Imitations.*New York: Farrar, Straus and Cudahy, 1961.
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*For the Union Dead.*New York: Farrar, Straus and Giroux, 1964.
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*Life Studies and For the Union Dead.*New York: the Noonday Press, 1964.
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*For the Union Dead.*London: Faber and Faber, 1985.
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*Near the Ocean.*New York: Farrar, Straus and Giroux, 1967.
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*Notebook.*New York: Farrar, Straus and Giroux, 1969. [Revised and expanded edition, 1970]
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*For Lizzie and Harriet.*New York: Farrar, Straus and Giroux, 1973.
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*History.*New York: Farrar, Straus and Giroux, 1973.
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*The Dolphin.*New York: Farrar, Straus and Giroux, 1973.
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*Day by Day.*New York: Farrar, Straus and Giroux, 1975.
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*Selected Poems.*New York: Farrar, Straus and Giroux, 1976.
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*The Old Glory.*New York: Farrar, Straus and Giroux, 1965.
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*Prometheus Bound.*New York: Farrar, Straus and Giroux, 1969.
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*Phaedra.*New York: Farrar, Straus and Cudahy, 1961. [Version by Robert Lowell and Jacques Barzun]
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*The Voyage and other versions of poems by Baudelaire.*New York: Farrar, Straus, and Giroux, 1968.
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*Selected Prose.*Ed. Giroux, R. London: Faber and Faber, 1987.
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*Letters.*Ed. Saskia Hamilton. New York: Farrar, Straus and Giroux, 2005
Essays and papers that Robert Giroux does not mention in his edition:
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*“Moulding the Golden Spoon.”*Hika, (6), 1940: 5.
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*“A Note.”*Kenyon Review, (6), 1944: 583-86.
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*“The Verses of Thomas Merton.”*Commonweal, (42), 1945: 240-42.
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*“Current Poetry.”*Sewanee Review (54), 1946: 340-41.
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*“Imagination and Reality.”*Nation, (164), 1947: 400-2.
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*“Thomas, Bishop and Williams.”*Sewanee Review, (55), 1947: 493-503.
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*“John Ransom’s Conversation.”*Sewanee Review, (56), 1948: 374-77.
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*“Liberalism and Activism.”*Commentary, (47), 1969: 19-20.
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*“On Rythms from America.”*Agenda, (32), 1973: 51-2.
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*“The Muses Won’t Help Twice.”*Kenyon Review, (17), 1955: 317.
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*“After Enjoying Six or Seven Essays on Me.”*Salmagundi, (37), 1977: 112-15.
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*“Prose Genius in Verse.”*Kenyon Review, (15), 1953: 619-25.
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*“Yvor Winters: A Tribute.”*Poetry, (98), 1961: 40-42.
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*“Digressions from Larkin’s 20th Century Verse.”*Encounter, (5), 1973: 66-68.
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*“What’s Happening to America.”*Partisan Review, (34), 1967: 38.
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*“I. A. Richards as Poet.”*Encounter, (14), 1960: 77-78.
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*“The True Light.”*The Vindex, (59), 1935: 129-130.
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*“Dante’s Inferno.”*The Vindex, (59), 1935: 130-131.
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*“Summer Tides.”*The New Review, (43), 1977: 3.
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*“Three Poems for Kaddish.”*Ploughshares, (2), 1979: 72-73.
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*Robert Lowell, A Reading. LP disk.*Caedmon TC 1569, 1978.
Biographies and Memories.
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*Hamilton, I. (1983). Robert Lowell: A Biography.*London, Faber and Faber.
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*Hamilton, S. (2005). The Letters of Robert Lowell.*New York, Farrar, Straus and Giroux.
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*Mariani, P. (1994). Lost Puritan: A Life of Robert Lowell.*New York, Norton and Company.
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*Meyers, J., ed. (1988). Robert Lowell: Interviews and Memoirs.*Michigan, University of Michigan Press.
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*Simpson, E. (1982). Poets in Their Youth: A Memoir.*London, Faber and Faber.
Criticism.
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Alvarez, A. (1965). “A Talk with Robert Lowell.” Encounter, (24): 39-43.
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Axelrod, S. G. (1978). Robert Lowell. Princeton, Princeton University Press.
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Axelrod, S. G., and H. Deese, eds. (1988). Robert Lowell: Essays on the Poetry. Cambridge, Cambridge University Press.
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Axelrod, S. G., and H. Deese, eds. (1982). Robert Lowell: A Reference Guide. Boston, Hall.
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Baechler, L. (1993). “Berryman, Roethke and the Elegy.” Jay Parini, ed. The Columbia History of American Poetry. New York, Columbia U. P.
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Bawer, B. (1986). The Middle Generation: The Lives and Poetry of Delmore Schwartz, Randall Jarrell, John Berryman, Robert Lowell. Hamden, Archon .
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Bell, Vereen M. (1983). Nihilist as Hero. Cambridge, Massachusetts and London, Harvard University Press.
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Berryman, J. (1972). The Freedom of the Poet. New York, Farrar Strauss & Giroux, Bly, R. (1966). “Robert Lowell’s For the Union Dead.” Sixties, (8): 93-6.
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Braybrooke, N. (1964). “Robert Lowell and the Unjust Steward.” Dalhousie Review, (44): 28-34.
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Carruth, H. (1962). “Toward, Not Away From: Imitations by Robert Lowell.” Poetry, (101): 43-47.
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Chambers, B. (1976). Robert Lowell .London, Milton Keynes.
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Cooper, P. (1970). The Autobiographical Myth of Robert Lowell. Chapel Hill, New York.
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Cosgrave, P. (1970). The Public Poetry of Robert Lowell. London, Gollancz.
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Doreski, William. (1999). Robert Lowell’s Shifting Colors: The Poetics of the Public and the Personal. Ohio, Ohio University Press.
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Dyck, R. (1982). ‘Lowell’s ‘The Drinker’.’ Explicator. Washington DC, 7-9.
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Ehrenpreis, I. (1970). “The Age of Lowell.” Robert Lowell: A Portrait of the Artist in His Time, pp. 155-86. Ed. Michael London and Robert B. New York, David Lewis.
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Ellmann, R., and O’Clair, R., eds. (1988). The Norton Anthology of Modern Poetry. New York and London, W.W. Norton and Company, Inc.
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Fein, R. J. (1979). Robert Lowell. Boston, Twayne Publishers.
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Gilbert,-Sandra-M. (1977). “‘My Name Is Darkness’: The Poetry of Self-Definition.” Contemporary-Literature, (18): 443-57.
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Giroux, R., ed. (1987). Robert Lowell: Collected Prose. London, Faber and Faber.
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Hamilton, I. (1982). ‘Robert Lowell: Life Studies.’ The New York Review of Books. Florida, 45-53.
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Hart, H. (1995). Robert Lowell and the Sublime. Syracuse, New York, Syracuse University Press.
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Heaney, S. (1989). The Government of the Tongue. London, Faber and Faber.
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Heaney, S. (1979). Field Work. London, Faber and Faber.
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Hobsbaum, P. (1988). A Reader’s Guide to Robert Lowell. London, Thames and Hudson Ltd.
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Hoffman,-Steven-K. (1979). “Lowell, Berryman, Roethke, and Ginsberg: The Communal Function of Confessional Poetry.” An-International-Journal-of-Contemporary-Writing, (22): 329-41.
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Iriving, D. C. (1991). “Poets on the Edge.” Dyonisos, (3): 36-41.
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Kalstone, D. (1991). Becoming a Poet: Elizabeth Bishop with Marianne Moore and Robert Lowell. New York, Farrar Straus & Giroux, Noonday Press.
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London and Boyers, eds. (1970). Robert Lowell: A Portrait of the Artist in his Time. New York.
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Martz, W. J. ed. (1966). The Achievement of Robert Lowell: A Comprehensive Selection of His Poems with a Critical Introduction. New York, Scott Foresman.
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Mazzaro, J. (1965). The Poetic Themes of Robert Lowell. Michigan, The University of Michigan Press.
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Mazzaro, J. Ed. (1971). Profile of Robert Lowell. Columbus, Ohio.
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Mazzaro, J. (2000). Robert Lowell and Ovid. New York, Exlibris Corporation.
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McClatchy, J.D. Jr. (1977). “Robert Lowell: Learning to Live with History.” The American Poetry Review, 34-38.
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Meiners, R. K. (1970). Everything to Be Endured. Columbia, University of Missouri Press.
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Meyers, J. (1987). Manic Power: Robert Lowell and His Circle. London, MacMillan.
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Molesworth,-Charles. (1976). ” ‘With Your Own Face On’: The Origins and Consequences of Confessional Poetry.” Twentieth-Century-Literature:-A-Scholarly-and-Critical-Journal, (22): 163-78.
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Moreno, Luis Javier. (2003). Día a día. Madrid, Editorial Losada.
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Naipaul, V. S. (1969). “Et in America Ego. Interview with Robert Lowell.” The Listener, (82): 302-4.
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North, M. (1980). “The Public Monument and Public Poetry: Stevens, Berryman, and Lowell.” Contemporary Literature,(21): 267-85.
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Olney, J. (1972). Metaphors of Self: The Meaning of Autobiography. Princeton, Princeton University Press.
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Perloff, M. (1973). The Poetic Art of Robert Lowell. Ithaca and London, Cornell University Press.
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Phillips, R. (1973). The Confessional Poets. Carbondale and Edwardsville, Southern Illinois Press.
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Price, J., ed. (1972). Critics on Robert Lowell. Miami, Florida.
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Procopiow, N. (1984). Robert Lowell: The Poet and His Critics. Chicago, American Library Assn.
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Procopiow, N. (1983). “Day by Day: Lowell’s Poetics of Imitation.” Ariel. 4-14.
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Ramazani, J. (1994). Poetry of Mourning. Chicago, University of Chicago Press.
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Rodríguez M, A. (1997). La poética del nombre en el registro de la autobiografía. Barcelona, Anthropos.
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Rodríguez M, A. (1990). Por los muertos de la Unión y otros poemas. Madrid, Cátedra.
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Rosenthal, M. L. (1973). The New Poets. London, Oxford, New York, Oxford University Press.
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Rosenthal, M. L. and Sally M. Gall. (1983). The Modern Poetic Sequence: The Genius of Modern Poetry. Oxford, Oxford University Press.
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Rudman, M. (1983). Robert Lowell: An Introduction to the Poetry. New York, Columbia University Press.
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Samson, I. (1998). “I Was There, I saw It”, London Review of Books, 8-9.
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Simpson, L. (1979). A Revolution in Taste. New York, Macmillan.
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Smith, Vivian B. (1974). The poetry of Robert Lowell. Sydney, Sydney UP.
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Staples, H. B. (1962). Robert Lowell: The First Twenty Years. London, Faber and Faber.
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Thurley, G. (1977). The American Moment: American Poetry in the Mid-Century. London, Edward Arnold Publishers.
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Vendler, H. (1995). The Given and the Made: Strategies of Poetic Definition. Cambridge, Harvard U.P.
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Walcott, D. (1984). “On Robert Lowell.” The New York Review of Books, (1): 25-31.
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Wallingford, K. (1988). Robert Lowell’s Language of the Self. Chapel Hill, University of Carolina Press.
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Williamson, A. (1986). Pity the Monsters: The Political Vision of Robert Lowell. Connecticut, Greenwood Press.
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Yenser, S. (1975). Circle to Circle: The Poetry of Robert Lowell. Berkeley, Los Angeles, London, University of California Press.
