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Bibliography

Primary Sources:

Verse:

  • North & SouthBoston: Houghton, 1946.

  • *Poems: North & South-A Cold Spring.*Boston: Houghton, 1955.

  • *Poems.*London: Chatto & Windus, 1956.

  • *Questions of Travel.*New York: Farrar, 1965.

  • *Selected Poems.*London: Chatto & Windus, 1967.

  • *The Ballad of the Burglar of Babylon.*New York: Farrar, 1968.

  • *The Complete Poems.*New York: Farrar, 1969.

  • *Geography III.*New York: Farrar, 1976.

  • *The Complete Poems 1927-1979.*New York: Farrar, 1983.

Prose:

  • *Brasil.*Time-Life, 1962.

  • *The Collected Prose.*New York: Farrar, 1984.

Art:

  • *Exchanging Hats: Paintings.*Ed. William Benton. New York: Farrar, 1996.

Letters:

  • *One Art: Elizabeth Bishop’s Letters.*Ed. Robert Giroux. New York: Farrar, 1994

Translations:

  • *An Anthology of Twentieth-Century Brazilian Poetry. Trans. ed. and intro. by Elizabeth Bishop and Emanuel Brasil.*Middletown, Conn.: Wesleyan UP, 1972.

  • The Diary of “Helena Morley.”Trans. ed. and intro. by Elizabeth Bishop of Alice Brant’s novelNew York: Farrar, 1957.

Secondary Sources

  • *Ashbery, John. “The Complete Poems.”*Bloom Bishop 5-8.

  • *---.”Second Presentation to the Jury.”*World Literature Today 1 (Winter 1977): 8-10.

  • *Benton, William. “Introduction and notes.”*Bishop Exchanging Hats: Paintings vii-xx.

  • *Bidart, Frank. “On Elizabeth Bishop.”*Schwartz and Estess 214-15.

  • *Bloom, Harold, ed. Modern Critical Views: Elizabeth Bishop.*New York: Chelsea, 1985.

  • *Booth, Philip. “The Poet as Voyager.”*Christian Science Monitor 58 (6 January 1966): 10.

  • *Brogan, Jacqueline Vaught. “Elizabeth Bishop: Perversity as Voice.”*Lombardi Bishop 196-211.

  • *Brown, Ashley. “An Interview with Elizabeth Bishop.”*Monteiro 18-32.

  • *Corn, Alfred. Review of Elizabeth Bishop’s Geography III.*Georgia Review 31 (1977): 533-37.

  • *Costello, Bonnie. Elizabeth Bishop: Questions of Mastery.*Cambridge and London: Harvard UP, 1991.

  • *Davison, Peter. “The Gilt Edge of Reputation.”*The Atlantic Monthly 217 (January 1966): 85.

  • *Dickie, Margaret. “Race and Class in Elizabeth Bishop’s Poetry.”*Yearbook of English Studies 24 (1994): 44-58.

  • *Dodd, Elizabeth. The Veiled Mirror and the Woman Poet.*Columbia: U of Missouri P, 1992.

  • *Erkkila, Betsy. “Elizabeth Bishop, Modernism, and the Left.”*American Literary History 8.2 (Summer 1996): 284-310.

  • *---. The Wicked Sisters: Women Poets, Literary History, and Discord.*Oxford: Oxford UP, 1992.

  • *Farley, Eileen. “Pulitzer Prize-winning Poet Visits UW.”*Monteiro 54-56.

  • *Fountain, Gary, and Peter Brazeau. Remembering Elizabeth Bishop: An Oral Biography.*Amherst: U of Massachusetts P, 1994.

  • *Ford, Mark. “Mount d’Espoir or Mount Despair: Early Bishop, Early Ashbery, and the French.”*Kelly 9-28.

  • *Giroux, Robert. “Chronology and Introduction.” One Art: Elizabeth Bishop’s Letters.*New York: Farrar, 1994. vii-xxv.

  • *Goldensohn, Lorrie. Elizabeth Bishop: The Biography of a Poetry.*New York: Columbia UP, 1992.

  • *Hammer, Langdon. “The New Elizabeth Bishop.”*Yale Review 82.1 (1994): 135-49.

  • *Handa, Carolyn Patricia. “Vision and Change: The Poetry of Elizabeth Bishop.”*American Poetry 3.2 (1986): 18-34.

  • *Harrison, Victoria. Elizabeth Bishop’s Poetics of Intimacy.*Cambridge: UP, 1993.

  • *Honig, Edwin. “Poetry Chronicle.”*Partisan Review 23 (Winter 1956): 115-17.

  • *Jarrell, Randall. “On North & South.”*Schwartz and Estess 180-81.

  • *Jefferson, Margo. “The Map Maker.”*Newsweek 89 (31 January 1977): 73.

  • *Johnson, Alexandra. “Geography of the Imagination.”*Monteiro 98-104.

  • *Kalstone, David. Becoming a Poet: Elizabeth Bishop with Marianne Moore and Robert Lowell.*New York: Farrar, 1989.

  • *---. “Elizabeth Bishop: Questions of Mastery, Questions of Travel.”*Schwartz and Estess 3-31.

  • *---. “Reading Contemporary Poetry: An Example from Elizabeth Bishop.”*Ts. hosted at VCEBSC.

  • *Keller, Lynn. Re-making It New: Contemporary American Poetry and the Modernist Tradition.*New York: Cambridge UP, 1987.

  • *---. “Words Worth a Thousand Postcards: The Bishop / Moore Correspondence.”*American Literature 55 (1983): 405-29.

  • *Kelly, Lionel, ed. Poetry and the Sense of Panic: Critical Essays on Elizabeth Bishop and John Ashbery.*Amsterdam and Atlanta: Rodopi, 2000.

  • *Laurans, Penelope. “Old Correspondences: Prosodic Transformations in Elizabeth Bishop.”*Schwartz and Estess 75-95.

  • *Lombardi, Marilyn May. “The Closet of Breath: Elizabeth Bishop, Her Body and Her Art.”*Twentieth Century Literature 38.2 (Summer 1992): 152-75.

  • *---, ed. Elizabeth Bishop: The Geography of Gender.*Charlottesville: U of Virginia P, 1993.

  • *Longenbach, James. “Elizabeth Bishop’s Social Conscience.”*ELH 62:2 (Summer 1995): 467-86.

  • *MacMahon, Candance. Elizabeth Bishop: A Bibliography 1927-1979.*Charlottesville: U of Virginia P, 1980.

  • *McCabe, Susan. Elizabeth Bishop. Her Poetics of Loss.*University Park, PA: Penn State UP, 1994.

  • *---. “Stevens, Bishop, and Ashbery: A Surrealist Lineage.”*Wallace Stevens Journal 22.2 (Fall 1998): 149-68.

  • *McCorkle, James. The Still Performance: Writing, Self, and Interconnection in Five Postmodern American Poets.*Charlottesville: U of Virginia P, 1989.

  • *McNeil, Helen. “Elizabeth Bishop.” Voices and Visions. Ed. Helen Vendler.*New York: Random, 1987. 394-425.

  • *Messenger, Cynthia. “‘But How Do You Write a Chagall?’: Ekphrasis and the Brazilian Poetry of P.K. Page and Elizabeth Bishop.”*Canadian Literature 142-143 (Fall-Winter 1994): 102-17.

  • *Millier, Brett Candlish. Elizabeth Bishop: Life and the Memory of It.*Berkeley and Los Angeles: U of California P, 1993.

  • *Monteiro, George, ed. Conversations with Elizabeth Bishop.*Jackson: UP of Mississippi, 1996.

  • *Moore, Marianne. “A Modest Expert.”*Schwartz and Estess 177-79.

  • *---. “Archaically New.”*Schwartz and Estess 175-76.

  • *Mullen, Richard. “Elizabeth Bishop’s Surrealist Inheritance.”*American Literature 54.1 (March 1982): 63-80.

  • *Nash, Mildred. “Elizabeth Bishop’s Library: A Reminiscence.”*Monteiro 133-38.

  • *Nemerov, Howard. “The Poems of Elizabeth Bishop.”*Poetry December 1955: 179-80.

  • *Page, Barbara. “Off-Beat Claves, Oblique Realities: The Key West Notebooks of Elizabeth Bishop.”*Lombardi Bishop 196-211.

  • *Palattella, John. “‘That Sense of Constant Re-Adjustment’: The Great Depression and the Provisional Politics of Elizabeth Bishop’s North & South.”*Contemporary Literature 34:1 (Spring 1993): 18-43.

  • *Paton, Priscilla M. “Landscape and Female Desire: Elizabeth Bishop’s ‘Closet Tactics.’”*Mosaic 31.3 (September 1998): 133-52.

  • *Paz, Octavio. “Elizabeth Bishop, or the Power of Reticence.”*Schwartz and Estess 211-13.

  • *Powers-Beck, Jeffrey. “‘Time to Plant Tears’: Elizabeth Bishop’s Seminary of Tears.”*South Atlantic Review 60 (Autumn 1995): 69-87.

  • *Rich, Adrienne. “The Eye of The Outsider: The Poetry of Elizabeth Bishop.”*Boston Review 8.2 (1983): 15-17.

  • *Rodman, Seldon. “Carefully Revealed.”*New York Times Book Review 27 October 1946: 18.

  • *Schwartz, Lloyd and Sybil P. Estess, eds. Elizabeth Bishop and Her Art.*Ann Arbor: U of Michigan P, 1983.

  • *Shetley, Vernon. After the Death of Poetry: Poet and Audience in Contemporary America.*Durham: Duke UP, 1993.

  • *Smith, W. Jay. “New Books of Poems.”*Harper’s 233 (August 1966): 89-91.

  • *Spires, Elizabeth. “The Art of Poetry XXVII: Elizabeth Bishop.”*Monteiro 114-32.

  • *Starbuck, George. “‘The Work!’: A Conversation With Elizabeth Bishop.”*Monteiro 82-97.

  • *Stevenson, Anne. Elizabeth Bishop.*New York: Twayne, 1966.

  • *Strand, Mark. “A Conversation with Norman Klein.”*Ploughshares 2.3 (1975): 99-101.

  • *---. “Elizabeth Bishop Introduction.”*Schwartz and Estess 242-43.

  • *Suárez-Toste, Ernesto. “‘Straight from Chirico’: Pictorial Surrealism and the Early Elizabeth Bishop.”*Studies in the Humanities 23.2 (1996): 185-201.

  • *---. “Une Machine a Coudre Manuelle: Elizabeth Bishop’s Everyday Surrealism.”*Mosaic 33.2 (June 2000): 143-60.

  • *Travisano, Thomas. “Elizabeth Bishop and the Origins of Narrative Postmodernism.”*Kelly 87-104.

  • *---. Elizabeth Bishop: Her Artistic Development.*Charlottesville: UP of Virginia, 1988.

  • *---. “The Elizabeth Bishop Phenomenon.”*New Literary History 26.4 (1995): 903-930.

  • *---. “‘The Flicker of Impudence’: Delicacy and Indelicacy in the Art of Elizabeth Bishop.”*Lombardi Bishop 111-25.

  • *---. “Heavenly Dragons: A Newly Discovered Poem by Elizabeth Bishop”*Western Humanities Review (Spring 1991): 25-33.

  • *---. Midcentury Quartet: Bishop, Lowell, Jarrell, Berryman, and the Making of a Post-modern Aesthetic.*Charlottesville: UP of Virginia, 1999.

  • *Upton, Lee. “Through the Lens of Edward Lear: Contesting Sense in Elizabeth Bishop.”*Studies in the Humanities 19.1 ( June 1992): 69-79.

  • *Vendler, Helen. “Domestication, Domesticity, and the Otherworldly.” Part of Nature, Part of Us.*Cambridge: Harvard UP, 1980. 97-110.

  • *Walker, Cheryl. “Metaphysical Surrealism in Bishop.”*Kelly 145-54.

  • *---. “Reading Elizabeth Bishop as a Religious Poet.”*Revista Canaria de Estudios Ingleses 37 (November 1998): 165-72.

  • *Weeks, Edward. “The Atlantic Bookshelf.”*The Atlantic Monthly (August 1946): 148.

  • *Wehr, Wesley. “Elizabeth Bishop: Conversations and Class Notes.”*Monteiro 38-46.

  • *Wilbur, Richard. “Elizabeth Bishop.”*Schwartz and Estess 263-66.

  • *Williams, Oscar. “North but South.”*New Republic 21 October 1946: 525.

  • *World Literature Today. Special Issue “Homage to Elizabeth Bishop, Our 1976 Laureate.”*Ed. Ivar Ivask. Winter 1977.

  • *Xiaojing, Zhou. “‘The Oblique, the Indirect Approach’: Elizabeth Bishop’s ‘Rainy Season: Sub-Tropics.’”*Chicago Review 40 (September 22, 1994): 75-93.