Bibliography

Photo by Carolyn Andrews

POETRY BOOKS

• The Fatalist. Richmond: Omnidawn, 2003.

• My Life in the Nineties. New York: Shark, 2003.

• The Beginner. Berkeley: Tuumba, 2002.

• Slowly. Berkeley: Tuumba, 2002.

• The Beginner. New York: Spectacular, 2001.

• A Border Comedy. New York: Granary, 2001.

• Happily. Sausalito: Post-Apollo, 2000.

• A Book from a Border Comedy. Los Angeles: Seeing Eye, 1997.

• The Little Book of a Thousand Eyes. Boulder: Smoke-Proof, 1996.

• *Guide, Grammar, Watch, and the Thirty Nights.*Western Australia: Folio, 1996.

• The Cold of Poetry. Los Angeles: Sun & Moon, 1994.

• The Cell. Los Angeles: Sun & Moon, 1992.

• The Hunt. La Laguna: Zasterle, 1991.

• Oxota: A Short Russian Novel. Great Barrington: The Figures, 1991.

• My Life. Los Angeles: Sun & Moon, 1987.

• The Guard. Berkeley: Tuumba, 1984.

• Redo. Grenada: Salt-Works, 1984.

• My Life. Providence: Burning Deck, 1980.

• Writing Is an Aid to Memory. Great Barrington: The Figures, 1978.

• Gesualdo. Berkeley: Tuumba, 1978.

• A Mask of Motion. Providence: Burning Deck, 1977.

• A Thought Is the Bride of What Thinking. Berkeley: Tuumba, 1976.

• a gRReat adventure. N.p., 1972.

COLLABORATIONS

• Chartings. With Ray DiPalma. Tucson: Chax, 2000.

• Sunflower. With Jack Collom. Great Barrington: The Figures, 2000.

• Sight. With Leslie Scalapino. Washington, DC: Edge, 1999.

• Wicker. With Jack Collom. Boulder: Rodent, 1996.

• Leningrad. With Michael Davidson, Ron Silliman, and Barrett Watten. San Francisco: Mercury House, 1991.

• Individuals. With Kit Robinson. Tuscon: Chax, 1988.

ESSAY BOOKS

• The Language of Inquiry. Berkeley: U of California P, 2000.

• The Traveler and the Hill, and the Hill. With Emilie Clark. New York: Granary, 1998.

• Two Stein Talks. Santa Fe: Weaselsleeves, 1996.

EDITOR

• The Best American Poetry 2004. New York: Scribner, 2004.

• Atelos. Co-edited with Travis Ortiz. 1995- .

• Poetics Journal. Co-edited with Barrett Watten. 1981-1999.

• Tuumba Press. 1976-1984, 1999- .

TRANSLATIONS

• Xenia. Poems by Arkadii Dragomoshchenko. Los Angeles: Sun & Moon, 1994.

• Third Wave: The New Russian Poetry. Poems by Arkadii Dragomoshchenko. Ed. Kent Johnson and Stephen Ashby. Ann Arbor: U of Michigan P, 1992.

• Description. Poems by Arkadii Dragomoshchenko. Los Angeles: Sun & Moon, 1990.

ARCHIVE

• Manuscripts, letters, and papers, 1966-2004, are housed at the Mandeville Special Collection library, University of California, San Diego. http://orpheus.ucsd.edu/speccoll/testing/html/mss0074a.html

SOUND RECORDINGS

• UCSD New Poetry Series. Poetry reading, 30 April 1980. U of California at San Diego, Special Collections.

• New Writing Series. Poetry reading, 30 October 1985. U of California at San Diego, Special Collections.

• Guess Language by Lyn Hejinian and Charles Bernstein. Madison: Audio Muzixa Qet, 1986.

• Chronic Ideas. 80 Langdon St. Talk series. San Diego: U of California at San Diego, Special Collections, 1997.

CRITICAL RESPONSES

• Brito, Manuel. “Fragment, Sentence and Memory of the Self in a Poetic Neo-narrative.” Revista Canaria de Estudios Ingleses 18 (Abril 1989): 191-207.

• Clark, Hilary. “The Mnemonics of Autobiography: Lyn Hejinian’s My Life.” Biography 14.4 (Fall 1991): 315-335.

• Dworkin, Craig Douglas. “Penelope Reworking the Twill: Patchwork, Writing, and Lyn Hejinian’s My Life.” Contemporary Literature 36.1 (Spring 1995): 58-80.

• Freitag, Kornelia. “‘A Pause, A Rose, Something on Paper’: Autobiography as Language Writing in Lyn Hejinian’s My Life.” Amerikastudien 43.2 (1998): 313-327.

• Naylor, Paul. “Lyn Hejinian.” Poetic Investigations: Singing the Holes in History. Evanston: Northwestern UP, 1999. 106-137.

• Simpson, Megan. “Language-Oriented Feminist Epistemology, and the Case of Lyn Hejinian.” Poetic Epistemologies: Gender and Knowing in Women’s Language-Oriented Writing. New York: State U of New York P, 2000. 1-29.

• Vickery, Ann. “The Person as Chronic Text: From Lyn Hejinian’s Gesualdo to My Life.” Leaving the Lines of Gender: A Feminist Genealogy of Language Writing. Hanover: Wesleyan UP, 2000. 233-248.

• Williams, Nerys. “‘What I wanted was nothing to do with monuments’: Errings and Lyn Hejinian’s The Guard.” Rebound the American Poetry Book. Ed. Michael Hinds & Stephen Matterson. Amsterdam: Rodopi, 2004. 160-181.

For complete details on Lyn Hejinian’s cv please visit this web page: http://epc.buffalo.edu/authors/hejinian.