This is my Third and Last Address to You
III.Strangers are an endangered species
In Emily Dickinson’s house in Amherstcocktails are served the scholarsgather in celebrationtheir pious or clinical legendsfestoon the walls like imitationsof period patterns
(…and, as I feared, my “life” was made a “victim”)The remnants pawed the relicsthe cult assembled in the bedroomand you whose teeth were set on edge by churchesresist your shrineescapeare foundnowhereunless in words(your own)All we are strangers—dear—The world is notacquainted with us, because we are not acquaintedwith her. And Pilgrims!—Do you hesitate? andSoldiers oft—some of us victors, but those I donot see tonight owing to the smoke.—We are hungry,and thirsty, sometimes—We are barefoot—and cold—This place is large enough for both of usthe river-fog will do for privacythis is my third and last address to you
with the hands of a daughter I would cover youfrom all intrusion even my ownsaying rest to your ghost
with the hands of a sister I would leave your handsopen or closed as they prefer to lieand ask no more of who or why or wherefore
with the hands of a mother I would close the dooron the rooms you’ve left behindand silently pick up my fallen work
IV.The river-fog will do for privacyon the low road a breathhere, there, a cloudiness floating on the black top
sunflower heads turned black and bowedthe seas of corn a stubblethe old routes flowing north, if not to freedom
no human figure now in sight(with whom do you believe your lot is cast?)only the functional figure of the scarecrow
the cut corn, ground to shreds, heaped in a shapelike an Indian burial mounda haunted-looking, ordinary thing
The work of winter starts fermenting in my headhow with the hands of a lover or a midwifeto hold back till the time is right
force nothing, be unforcedaccept no giant miracles of growthby counterfeit light
trust roots, allow the days to shrinkgive credence to these slender meanswait without sadness and with grave impatience
here in the north where winter has a meaningwhere the heaped colors suddenly go ashenwhere nothing is promised
learn what an underground journeyhas been, might have to be; speak in a winter codelet fog, sleet, translate; wind, carry them.
V.Orion plunges like a drunken hunterover the Mohawk Trail a parallelogramslashed with two cuts of steel
A night so clear that every constellationstands out from an undifferentiated cloudof stars, a kind of aura
All the figures up there look violent to meas a pogrom on Christmas Eve in some old countryI want our own earth not the satellites, our
world as it is if not as it might bethen as it is: male dominion,gangrape,lynching,pogromthe Mohawk wraiths in their tracts of leafless birch
watching: will we do better?The tests I need to pass are prescribed by the spiritsof place who understand travel but not amnesia
The world as it is: not as her users boastdamaged beyond reclamation by their usingOurselves as we are in these painful motions
of staying cognizant: some part of us alwaysout beyond ourselvesknowing knowing knowing
Are we all in training for something we don’t name?to exact reparation for thingsdone long ago to us and to those who did not
survive what was done to them whom we ought to honorwith grief with fury with actionOn a pure night on a night when pollution
seems absurdity when the undamaged planet seems to turnlike a bowl of crystal in black etherthey are the piece of us that lies out thereknowing knowing knowing
MLA
APA
Chicago
